The rounded apse at the east end of the church is covered in fifteenth century tiles.  The tiles were produced by master craftsmen in workshops and kilns set up on site between 1450 and 1500.  The guide book notes that originally there would have been approximately 50,000 tiles decorating the priory.  Only a fragment of them remain but, even so, Great Malvern’s collection can hardly be bettered by any other parish church. There are over one hundred different designs and each of them has a meaning.

One tile carries a coat of arms and five birds.  These birds or martlets as they are known in heraldry represent Edward the Confessor.  It is a reminder that the land upon which the priory was built was given by the king to his abbey in Westminster. Amongst the heraldic tiles the badges of the Duke of Buckingham, Mortimer, Beauchamp (Richard Beauchamp was the earl of Warwick at the time of the rebuilding), Despenser (Richard’s wife was Isabel Despenser), Clare, Talbot and Bracy can be spotted along with the royal arms and the fleur-de-lys reflecting Henry VI’s patronage.  Tiles are dated to 1453 and 1456 – tiles being dated 36 H VI – meaning the thirty-sixth year of Henry VI’s reign i.e. 1456; the year after the First Battle of St Albans.  1453 was significant in that it was the year that Henry VI suffered his first break down setting in motion an escalating conflict between the House of York and that of Lancaster.  These tiles can be found on the apse which is known as the “Benefactors Wall” – think of these tiles as the sponsors’ logos. The tiles are not in their original position. The Victorians removed them from the floors and placed them here during their renovation work. They also commissioned replicas by Minton which now adorn the chancel floor.

As you might expect there are tiles that carry scriptural messages in symbolic form such as   a fish, the instruments of the passion,  Mary crowned represented by the letter M surmounted by a crown, pelicans which were the medieval symbol of self-sacrifice and also tiles with texts.  The most striking of the latter is the so called ‘leper’s tile’ or ‘Job Tile’ which quotes from Job -“have pity on me my friends for the hand of God has struck me.”

There are even tiles that bear the name of the tiler – WHILLAR- who made that particular batch.  There’s one with a Latin inscription which reads “Mentem sanctum, spontaneuni honorer Deo, et patrie liberacionem.” As well as honouring the Lord it is also, apparently, an early form of fire insurance as this was supposed to help prevent fire. Even more practically there is a tile (immediately above this paragraph)  with a message from the monks which tells pilgrims to give their money now rather than making a bequest in their wills on account of the fact that once you’re dead you don’t know what will happen.

It is interesting to note that the monks or the tilers did a healthy business selling their wares to local churches and landowners in the vicinity or even further afield – there are Great Malvern tiles in St David’s in Pembrokeshire. And, of course, once their work was finished the tilers would take their wooden stamps and go in search of work elsewhere.

Double click on the image of the Benefactors’ Wall  (not taken by me although the rest of the photographs in this post are mine) to open a new web page to view more images of the tiles and further information about the priory and its publications.