A sympathetic reimagining of Hans Holbein’s life and relationships in England, the story places Holbein at the centre of a web of intrigue at the Tudor court. Wendy Holden undertook extensive research for this book, and it shows on every page. The historical detail is richly woven into the narrative without ever overwhelming the story, bringing Tudor England vividly to life. Holden has a particular talent for humanising historical figures, and her portrayal of Holbein, Wyatt, Cromwell and Henry VIII is both convincing and deeply engaging. The court’s rivalries, shifting loyalties, and political tensions provide a compelling backdrop, while the personal relationships at the heart of the novel add warmth and emotional depth. As with many of Holden’s books, the writing is accessible, immersive, and meticulously researched, striking an excellent balance between historical authenticity and storytelling. It proved to be one of the best works of historical fiction I have read this year and is highly recommended for readers who enjoy well-crafted historical novels populated by believable characters.
Wendy Holden’s other works of historical fiction often focus on more recent history and women linked to the royal family including Wallis Simpson. All her works of historical fiction are meticulously researched and maintain a balance between storytelling and history. Inevitably I loved the historical notes at the back of The Queen’s Painter. And you wouldn’t have thought there could have been much more written about Anne Boleyn – or Thomas Cromwell for that matter!