I love stained glass – and incidentally the little diamond shaped panes are called quarries. It turns out that glass has been around since the third millennium BC – leading us to the inevitable question of What did the Romans ever do for us?
The gallery depicts modern glass which can be found in St Mary’s Church, Richmond, North Yorkshire. it won’t come as a surprise to learn that much of the medieval glass was somewhat knocked about during the English Civil War and Commonwealth period. Restoration commenced under Sir George Gilbert Scott during the Victorian period.
The ones pictures below are modern and dedicated to Ruth Gedye who was just eighteen years old when she died. The artist Alan Davis of Whitby created the image based on Ruth’s favourite hymns.
The last image in the gallery comes from a different window in the church. Alan’s work can also be found in Manchester Cathedral. Hicks notes that the abstract designs with which we are familiar these days were popularised after World War Two thanks to commissions for Coventry Cathedral and the Catholic cathedral in Liverpool. She lists some examples and although I have seen the ‘Prisoners of Conscience’ window in Salisbury I can’t remember it particularly clearly, unlike the Richard III window at Leicester.
Hicks, Carola, Discovering Stained Glass, (Princess Risborough: Shire Publications, 1968 reprinted 2006)
Amazingly there are some medieval survivals in Howden including three statues, one of which is thought to present the Virgin Mary. Not everyone is in agreement as to who the lady might be but one thing is for sure she is a stunning survival and one which must have been carefully protected across the centuries.
Its that time of year again when my mind turns to teaching. This term I’m back with Henry VIII and his wives and mistresses; the Norman Conquest and the English Reformation so that should keep me out of mischief for a while, though thankfully Henry’s love life is rather closely bound to the progress of the English Reformation. Today though I’m sticking with cathedrals: Rochester Cathedral to be specific – it has links with all the courses I have just mentioned one way or another.
Bishop Wulfstan became a saint much admired by King John. He was also a canny politician. He’d been appointed bishop by Edward the Confessor in 1062 and is said by his biographer a monk called Colman to have advised King Harold. This didn’t stop him from being one of the first bishops to offer his oath to William. The Worcester Chronicle also suggests that Wulfstan was at William’s coronation.
Wulfstan ensured that the Benedictine monks at Worcester continued their chronicle and he preached against slave trading in Bristol. Meanwhile the priory at Worcester was growing (It was a priory rather than an abbey because it had a bishop as well as its monastic foundation- that’s probably a post for another time). Not much remains of the early cathedral building apart from the crypt with its forest of Norman and Saxon columns. Wulfstan’s chapter house draws on its Saxon past and is, according to Cannon, one of the finest examples of its time. In 1113 it suffered a fire rebuilding began immediately. Wulfstan’s canonisation in 1203 helped Worcester Abbey’s and the cathedral’s economy although the Barons’ War ensured that Wulfstan’s shrine was destroyed on more than one occasion although when Simon de Montfort sacked Worcester he spared the priory.
Somehow, thirty-nine fifteenth century misericords survive at Worcester. There are also some fine spandrels (triangular bits between arches) depicting various scenes including a crusader doing battle with a lion not to mention the crypt and Arthur’s chantry with its tomb of Purbeck marble.
The priory’s treasure is its windows. It has the largest collection of fifteenth century glass in England which means that the parliamentarians didn’t get there during the English Civil War. It also means that although the parishioners of Great Malvern were able to buy the priory for £20 they were unable to remove the coloured glass and replace it with plain Protestant panes in later years.
Looking to the west, the arms of Richard III, then Duke of Gloucester can be found. This was probably moved from the West Window which was originally donated by him and his wife Anne Neville. Her coat of arms can be found in the western choir aisle in the so-called museum window which is largely plain with sections of medieval glass being inset there. The heads of two bear supporters – referencing the bear and ragged staff can be seen. The West Window told of the Day of Judgement. Depending upon your viewpoint of Richard III there may well be some irony in his donation and the fact that of all the windows this was the one which survived least well into the modern era.
However, in Queen Anne’s Chapel a treat awaits. Most stained glass involves a crick in the neck but here the windows are substantially lower so the glass is much closer. The crucifixion window is Victorian but the rest of the glass is medieval. One window tells the story of the Creation, another the stories of Noah and Abraham whilst the third relates the stories of Isaac, Joseph and Moses. It is a reminder that in an age where most people lived in small dark buildings that churches were full of light and colour. It is also a reminder that the word of God came not only from the priest but from the pictures that surrounded the congregation.
The rounded apse at the east end of the church is covered in fifteenth century tiles. The tiles were produced by master craftsmen in workshops and kilns set up on site between 1450 and 1500. The guide book notes that originally there would have been approximately 50,000 tiles decorating the priory. Only a fragment of them remain but, even so, Great Malvern’s collection can hardly be bettered by any other parish church. There are over one hundred different designs and each of them has a meaning.
There are even tiles that bear the name of the tiler – WHILLAR- who made that particular batch. There’s one with a Latin inscription which reads “Mentem sanctum, spontaneuni honorer Deo, et patrie liberacionem.” As well as honouring the Lord it is also, apparently, an early form of fire insurance as this was supposed to help prevent fire. Even more practically there is a tile (immediately above this paragraph) with a message from the monks which tells pilgrims to give their money now rather than making a bequest in their wills on account of the fact that once you’re dead you don’t know what will happen.
It is interesting to note that the monks or the tilers did a healthy business selling their wares to local churches and landowners in the vicinity or even further afield – there are Great Malvern tiles in St David’s in Pembrokeshire. And, of course, once their work was finished the tilers would take their wooden stamps and go in search of work elsewhere.