The turbulent seventeenth century – Divine Right and the Petition of Right

Divine right is the belief in the God given right of a monarch to rule. The idea was established in the reign of James (1603-25) who believed that the king was subject to no other earthly authority and could only be judged by God. Any attempt to depose or even to restrict the powers of the king went against God’s will. In 1598 he had published a book called The True Law of Free Monarchies. He claimed that ‘Kings are justly called gods for that they exercise a manner or resemblance of divine power on earth’. The Basilikon Doron written by the king as a set of instructions for his eldest son, Prince Henry, in 1599 identified his ideology more clearly.

The book is divided into three parts:

I) how to be a Christian king

2) practical aspects of kingship

3) the king’s behaviour in everyday life.

James’ belief in the divine right of kings had a negative impact on his relationship with the English Parliament. During the reign of his successor, Charles who inherited the throne following the deaths of his elder brother in 1612 and James in 1625 also believed in the divine right of kings. Charles I also believed that because he was God’s representative only he had the right to make laws and that to oppose him was a sin. He believed that he was above the law and had to govern according to his conscience.

By the time James died in 1625 Parliament was suspicious of the Stuart kings, by 1628 the tension turned to Parliamentary demands known as the Petition of Right. Charles lacked both experience and confidence and relied upon the advice of his favourite, the Duke of Buckingham. Buckingham advocated a raid on Cadiz which was a disaster. Parliament demanded that she should be impeached – so Charles dissolved parliament before it granted him any funds. Buckingham arranged for the king to marry a French Catholic bride (Henrietta Maria) and then went to war with the French in 1627 in support of the Huguenots of La Rochelle – the whole thing was a disaster because of poor planning. By 1628 Charles was at war, without any money and was trying to extract forced loans. He had no choice but to call Parliament.

Sir Edward Coke, a lawyer, put together the Petition of Right which stated, there would be no more forced loans; no imprisonment without trial – 5 knights had been sent to prison because they refused to pay Charles’ forced loan. In addition there would be no further use of free lodgings (billeting) for soldiers in civilian households and no use of martial law against civilians. At the same time, the House of Commons granted the king five subsidies but only if he agreed their terms. Coke and Parliament were defining the law by asserting rights that already existed. It should have been an opportunity for the king and parliament to learn to work together…

Click on the book to open the link in a new tab to find the book and read more about their contents. I love Leanda de Lisle’s writing. Last year she published a biography of Charle’s queen, Henrietta Maria

Reading the past? Passionflowers

One of the things I really enjoyed about last year was finding out more about the flowers on the #unstitched coif and, in the process, learning a bit more about the woman who intended to sew it. I also enjoyed the topic I covered during lockdown on the history of plants – et voila – another new ‘spot’ for the blog – reading the past – I’m no good with the emoticons and emoji’s of modern technology. This is much more my thing.

The image of a carved passionflower, or passiflora, is taken from a Victorian headstone in a local churchyard and just happens to be the firth thing I found when I started scrolling through my photos.

Welcome to the sixteenth and seventeenth centuries. It’s the age of exploration and some Jesuits are wandering around modern Paraguay and Peru. The conquistador, Pedro Cieza de Leon mentions the plant in writing for the first time in 1553 in the context of its fruit. The Christian symbolism associated with the five wounds of Christ that could be identified within the flower was described soon after: 10 petals for the number of disciples who were still loyal at the time of the crucifixion; filaments representing the crown of throne; five anthers for the wounds of Christ; the stamen looking a bit like the hammer that drove the nails; even the tendrils were described as being like the whips with which Christ was beaten. And bingo! A valuable teaching aid and a flowery justification for invading and Christianising the Americas. The plant was there, so obviously God wanted a bunch of conquistadors terrorising the locals in his or her name.

The story spread and in 1609, Giacomo Bosia, one of the knights of Malta, included the passionflower in a book about legends and miracles associated with the cross. Three years later passionflowers were being cultivated in Paris and England. It was originally called the Virginian Climber in Britain as no one wanted to mention the Catholic connection. However, after Charles I had his head removed in 1649, the late monarch was sometimes described by his supporters as ‘the passionflower’ because they believed he had been martyred. The Tradescants who were royal gardeners and plant collectors made it very popular -for a price- after the Restoration.

By the Victorian period it was a popular adornment for gravestones representing as it did Christ’s crucifixion, redemption and mankind’s salvation. The jesuit element of the equation and even Charles I had been discarded, or never even had the chance to get going. To be honest I don’t recall seeing it on Stuart or later embroideries, no point looking at the Elizabethans – and of course the expansion of trade changed English attitudes to embroidery and ornament as indeed did the Commonwealth. England had a rich embroidered tradition prior to the English Civil War. By 1661 the royalists who’d spent their exiles in the Low Countries and France thought that European art was much more sophisticated than anything home grown. And, by the eighteenth century beautiful fabrics were arriving from China and the Indias – no more sitting around embroidering your bed curtains and night hats!

I think I’ve seen a passionflower on an alta-frontal but that was Victorian as well. In fact, I’m not sure I’ve ever seen a seventeenth century version in embroidered form. Stumpwork and crewel work were popular during that century. Please let me know if you spot any old needlework productions of the passionflower on your travels! A photograph (assuming its permitted would be even nicer).

Bleichmar, Daniela, Visual Voyages: Images of Latin American Nature from Columbus to Darwin (Yale: Yale University Press, 2017) pp.82-89

Gardens, daffodils and embroidery as a statement of faith

Daffodils – I defy anyone not to think of Wordsworth’s lonely wanderings! Or Wales where it translates as St Peter’s leek. Or the Marie Curie Cancer charity – so having established that daffodils play an important part in modern symbolism or romantic ramblings what about the past, setting aside Greek myth?

They have many common names including bell rose, faerie bells and ladies ruffles. More tellingly, thanks to the time they flower, they are also known as lent lilies and lenty cups. Christian lore states that the daffodil first made its appearance in the garden of Gethsemane and to add to my growing picture of a Mary Garden, daffodils are also known as ‘Mary’s star’. It has been suggested that the occurance of daffodils in the wild in England and Wales can be an indicator that there was once a monastic house on  the site- in London, Abbey Wood is the home of wild daffodils and the location of Lesnes Abbey (Phillips, An Encyclopedia of Plants).

In all there are more than one hundred flowering plants associated with Mary. Incluing lavender which also goes by the name of Mary’s drying plant and lily of the valley which are sometimes called Mary’s tears. The frequency of the names is an aid to demonstrating that in medieval England that Mary was deeply revered. There’s even a mystery play about her childhood and betrothal to Joseph. The Wilton Diptych that belonged to Richard II shows him kneeling before her and the angles surrounding her all helpfully wearing the king’s badge of a white heart. 

And then of course, we arrive at the Reformation in Tudor England which saw the vibrant colours and stories of the past white washed away. In the Seventeenth Century, Oliver Cromwell and his Roundheads destroyed even more of the iconography that they believed to be idolatrous.

Even so, when Charles II sat upon the throne about 5% of the population, in some parts of the country, was still Catholic. While devotional pieces of the kind owned by Elizabeth Stuart (she married into the Howard family) are rare, as indeed are liturgical clothing. The work of Helena Wintour was born in 1600 is an exceptional collection. Her father Robert and uncle Thomas were executed for their part in the Gunpowder Plot in 1605. Helena remained a Catholic throughout her life and set up a secret Catholic School in Worcestershire where she lived so that catholic children could be educated in England rather than having to go abroad.  She designed and embroidered vestments for the Jesuits who visited her home. 

 There seems to have been little written about secular Catholic embroidery that I can find (if anyone can recommend any reading I’d love to hear from you) but it would be logical that if people were planting gardens to link them to their beliefs; hiding priests in holes behind fire places; educating their children in secret and paying huge fines rather than attend the local protestant parish church – it does not seem unreasonable that they were embroidering their faith into the clothes that they wore. 

Father Henry Hawkins, a Jesuit, published a text in 1633 about the symbolism of flowers associated with the Virgin Mary called Sacred Virginity (Partheneia Sacra) which was smuggled into Catholic households enabling them to use the flowers described as a symbol of their faith.

 blog.nms.ac.uk/2022/05/31/embroidered-crucifixion/

sites.google.com/ushaw.org/fabricofresistance/fabric-of-resistance-online-exhibition

Samuel Pepys’ lion

Tower of London, lions

Alright – I know that the seventeenth century is not medieval by anyone’s stretch of the imagination – however, I just couldn’t resist.

Samuel Martin, a consul in Algiers and husband of one of Samuel’s old flames, sent Pepys a ‘tame’ lion as a gift in 1674. Sam decided that the lion would be best accommodated in his admiralty office in much the same manner as any other moggy. He wrote with his thanks and the information that ‘as tame as you sent him, and as good company.’ The cub eventually grew too big to be accommodated in Sam’s office at Derby House and he joined the menagerie in the Tower of London. Samuel had written about visits to the zoo in 1660 to see a lion named Crowly who was very tame.

Should you happen to be wandering near Seething Lane Garden where Pepys had his home you can find a carving of a lion.

The Tower of London has had a menagerie since the 1200s – which is definitely medieval. In medieval times, in order to get into the Tower visitors would have to cross a drawbridge to the lion tower built by King Edward I in about 1275 before entering. The tower was demolished during the Victorian period . In addition to lions the barbican also housed leopards.

Eventually it came to be believed, so it is said, that if a lion died someone in the royal family was about to die. The rumour was given credibility when a lioness died in 1603 shortly followed by Queen Elizabeth I.

The frost fair of 1608

The Thames froze for six weeks in February 1608 – and the people of London held a fair on the icy expanse. The rive was wider, more shallow and flowed more slowly. The water froze. Not only did people come onto the ice to skate and to hold a fair but they burned fires. It was the culmination of the so-called Great Frost which began in December the previous year.

Much to my delight there is a primary source, with a typically seventeenth century snappy title, available The great frost. cold doings in London, except it be at the lotterie. With newes out of the country. A familiar talke betwene a country-man and a citizen touching this terrible frost and the great lotterie, and the effects of them. the description of the Thames frozen over. It was written by Thomas Dekker. It wasn’t only the merchants of London seeking to make a profit from the cold snap which was actually a symptom of the so-called Little Ice Age.

Dekker wasn’t the only one to put quill to paper, the poet John Taylor also described the scene.

Clearly boatmen weren’t happy but it wasn’t long before carts were using the river as an impromptu road.

Let us hope the current cold spell isn’t quite so long lasting – having been snowed in today with intermittent power and even telephone lines coming down I can only admire the pragmatism of seventeenth century Londoners.

Sir Richard Leveson

Sir Richard Leveson was named after his godfather, and cousin, Sir Richard Leveson of Lilleshall – who was one of Elizabeth I’s admirals. The admiral died without children and Richard inherited although his claim was contested by the Curzon family. In 1613 he also inherited his elder brother’s estates in Kent. The family was troubled by debts and contested inheritances so Richard was not particularly wealthy. Following his mother’s death he sold off his Kent estates and made Lilleshall his home.

Lady Katherine Leveson by Cornelius Jansen owned by the Lady Katherine Leveson Foundation

In 1629 he married, against the advice of his friends, Katherine Dudley the daughter of Robert Dudley who abandoned his family in 1605 when the Star Chamber concluded that his father the Earl of Leicester and his mother Douglas, Lady Sheffield had not been married. Poor Katherine was tarnished with the potential slur of illegitimacy herself as her father had declared himself to be clandestinely married to Frances Vavasour when he married Katherine’s mother. Nor did it help that Dudley’s estates, inherited from the Earl of Leicester, were confiscated by the Crown and that Sir Robert Sidney and his family claimed the lands by right of legitimate inheritance. When the matter was resolved he and Katherine were able to build a fine Manor House at Trentham outside Stoke. Trentham like Lilleshall had once been a monastic property. His and Katherine’s home was replaced by a Georgian building in 1690.

In November 1640 Leveson was elected to Parliament where he was initially neutral but eventually came to support the cause of Charles I. He was a cavalry commander and sat in the Oxford Parliament. During this time he and his brother-in-law Robert Holbourne persuaded the king to re-examine the Dudley case which resulted in his mother-in-law Alice Dudley being recognised as Duchess Dudley and his wife the place of a duke’s daughter. Lilleshall Abbey was eventually taken by Parliamentarian forces in 1645 and Leveson found himself imprisoned in Nantwich where his health suffered. In the aftermath of the wars he was forced to pay fines for his support of the royalist cause. When he drew up his will he arranged for trustees to look after his wife’s interest and for his nieces to inherit after her death. He died in 1661 and is buried in Lilleshall Church.

https://www.historyofparliamentonline.org/volume/1604-1629/member/leveson-richard-1598-1661

Pharmacopoeias

A pharmacopoeia is a handbook of medicines. The seventeenth century texts I’m perusing at the moment for a very specific cure-all are deeply underwhelming although strangely fascinating. Remedies includes the “turds” of geese, goats, hens, swallows and a peacock . One requires millipedes. Another lists amongst its ingredients discarded nail clippings. If you weren’t ill before you certainly would have been afterwards.

Many of the more exotic ingredients would have come from the mediterranean and beyond. And as navigators explored further and colonialisation took hold the ingredients of the pharmacopoeias did become more exotic – rhinoceros brain anyone?

The Pharmacopoeia Londinensis was published on the orders of James I and it effectively created a list of all official drugs – frogs lungs…if the goods you wanted to sell to an apothecary and then on to a physician were not on the Royal College of Physicians list then quite simply it wasn’t a cure. The Worshipful Society of Apothecaries was created in 1618 so now regulation was ensured. Little old ladies with herbal connections might find themselves in real bother and so could a male apothecary not following the guild’s rules. The College of Physicians which had controlled the apothecaries retained the right to license them in London but not to prevent them from dispensing medicines or treating people and the pharmacopoeia was a way of the physicians maintaining some kind of control because they dictated what was admissible to the list.

The Pharmacopoeia Londinensis continued to be published until 1854 when a new British listing was produced. By that time goat’s urine had been removed from the list.

https://history.rcplondon.ac.uk/blog/weapon-dressed-book-pharmacopoeia-londinensis

Jane Mosley’s remedies, cuttlefish and Galen

Image of peony from Gerard’s herbal

Jane Mosley lived in Brailsford, Derbyshire during the seventeenth century. The record office has her personal books of recipes and remedies.

She was probably born in the summer of 1669. The family had links with London as well as being an established Derbyshire family. In 1697 she married Edward Soresby of Darley. The couple went on to have eight children before Jane died in 1712. The county archives contains letters, accounts and land transactions as well as family wills.

Amongst her remedies is a cure for the falling sickness, or epilepsy as we would recognise it today. Peony roots grated and drunk and worn around the neck – Jane spells it pionie and it turns up elsewhere as danpi. It will probably come as no surprise to discover that Galen, the Roman physician, recommended peonies as a cure for falling sickness. So all though it features in Jane’s book it would have been something understood in the medieval period as well. Anyone with seizures would likely be prescribed a drink containing peony roots and required to wear it around their neck as a talisman. The remedy can also be found in Gerard’s Herbal.

There are several toothpaste recipes, the most straightforward of which involves salt and cuttle bone – ground up cuttlefish bone was also used as a polishing powder by goldsmiths. A second recipe involved rosemary and harts horn as well as cuttlefish. She also knew of a mouthwash to make teeth “steadfast.” The rinse involved vervain roots in cold wine.

Derbyshire Museum Service. 1979. Jane Mosley’s Derbyshire Recipes

A 1614 map of Earl Sterndale

1614 map of Earl Sterndale

Earl Sterndale is part of the parish of Hartington Middle Quarter in the Derbyshire Dales.  It was created as an ecclesiastical parish from a chapelry in 1763.  It’s church, St Michael’s and All Angels, has the distinction of being blown up by the Luftwaffe with a stray bomb in 1941.

I’m posting about Earl Sterndale today because I came across this 1614 map in a file of documents – it’s a random find and to be honest it has no reference on so I don’t even know which book it was taken from by whoever copied it. It’s a reminder though that whilst I tend to teach history in a neat linear pattern that history itself is much more untidy. The fields shown are a mixture of open strip farming and enclosed land. Enclosure was something that began more or less in the thirteenth century and escalated until at the end of the eighteenth century farming practises and land ownership wrought wholesale enclosure.

Records indicate that the farms around Earl Sterndale were largely monastic granges belonging to Basingwerk Abbey, Flintshire, Wales.  The abbey was a Cistercian foundation and it’s lands including the granges near Earl Sterndale were sold following the Dissolution of the Monasteries.   Basingwerk was a lesser monastery with an income of less that £200 per year.  It is perhaps not surprising that Basingwerk Abbey held property and the rights to churches in other parts of Derbyshire including Glossop.   But it’s not completely a monastic story – again history tends to be taught or written about in neat units but the distribution, in this case literally on the land, tells of different administration systems abutting one another and in some cases overlapping.

Within the medieval Manor of Hartington, of which Earl Sterndale was part land belonged in part to the Duchy of Lancaster – the land in Earl Sterndale once having been in the holding of the de Ferrers’ Earls of Derby until the 6th earl fell foul of Henry III and the land was given to Henry III’s second son – Edmund Crouchback, Earl of Lancaster. edmund’s great grand daughter Blanche (the daughter of Henry Grosmont the 1st Duke of Lancaster) married John of Gaunt – for those of you who like to make links.

Meanwhile the manor of Hartington of which Earl Sterndale was part worked on the three field open system where strips of land were allocated to various tenants (villeins).  Rent was paid along with labour for the lord.  In addition to which part of the manor functioned as demesne land which was farmed on behalf of the Duchy of Lancaster itself rather than the income all coming from tenants.  By the fourteenth century sheep had become an important part of the venture for the Duchy – as it was for the Cistercian granges. I’ve read elsewhere that as the Black Death plotted it’s course in 1348 demsesne farming was abandoned in the parish of Hartington; it being more profitable to rent land out.

It’s also worth noting that the village of Earl Sterndale held common grazing rights to a portion of land adding yet another dimension to the equation of who held the land.

The map of 1614 pictured above demonstrates that the three field system with its open strips didn’t suddenly stop here at the end of the medieval period nor was the dissolution of the monasteries sufficient to bring about total enclosure. It is  evident that strip farming around Earl Sterndale continued into the seventeenth century – although there is also evidence of enclosure in the form of Mr Thomas Nedham’s land.  Enclosure when it finally came was at the beginning of the nineteenth century.

Dr Simon Forman – a Tudor version of Pepys…with magic and poison

Simon Forman was born on December 30, 1552, near Salisbury. Unlike Shakespeare for whom there is no evidence of attending grammar school we have Forman’s account of his teacher and his education which began when he was seven. Unfortunately Simon’s father died suddenly and the boy had to leave school taking employment with a merchant who sold herbs and drugs.

Ten years later Simon left Salisbury, apparently after an argument with his master’s wife, and went to Oxford to live with his cousins. It appears that although he was eager to continue his education that he was unhappy in Oxford so when back to Salisbury where he became a teacher.

In 1579 things changed, Simon became a prophet! “I did prophesy the truth of many things which afterwards came to pass…the very spirits were subject unto me”. He also moved to London where presumably there was more need for doctoring, astrology and magic – remember these three things weren’t at odds with one another during the Tudor period. What made the real difference to Forman’s career as a doctor was that he remained in London during the plagues of 1592 and 1594. As a result he became known for his skills and the publication in 1595 of a book entitled Discourses on the Plague. He claimed that he was able to work with plague cases because he had caught and recovered from the disease.

Unfortunately the Royal College of Physicians took umbrage because he lacked their training. They described his herbal medicines as “magical potions.” In short they determined that he was a quack, fined him and told him not to call himself a doctor. Forman ignored them but within nine months a man died soon after taking one of his prescriptions and he found himself in prison. He finally gained a licence from Cambridge University in 1603 despite the fact that he had never studied there.

Forman wrote a lot of books and kept a diary which recorded his own life as well as his consultations with people from all ranks of society. He recorded some of his womanising activities even though he’d married Jane Baker in 1599.

William Lilly

We even know how Forman died thanks to another astrologer, William Lilly. In September of 1611, Forman apparently told his wife that he was about to make his last prophesy, namely that he would die the next Thursday evening which he did whilst rowing on the Thames.

That wasn’t the end of Forman though. Frances Howard, Countess of Somerset went on trial in 1616 for the murder of Sir Thomas Overbury in 1613. Whilst she was still Lady Essex married to Robert Devereux. Frances had gone with her friend Anne Turner to see Forman for potions that would keep Lord Essex at arm’s length and another to attract the attentions of James I’s favourite Robert Carr as he seemed a better financial and political bet than the spouse that she had been required to marry when they were both children. Forman was also accused of providing the poison which added to some tarts killed Sir Thomas Overbury whilst he was in the Tower.

Frances Howard, Countess of Somerset

Ultimately Forman’s papers ended up in the care of Elias Ashmole, the founder of the Ashmolean in Oxford and thus his diary which includes visits to the theatre to see Macbeth and The Winter’s Tale survive – though not without some dispute as to their veracity.

Kassell, Lauren (2007) Medicine and Magic in Elizabethan London: Simon Forman: Astrologer, Alchemist, and Physician

Rowse, A.L. (1974) The Casebooks of Simon Forman

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