
While the Bayeux Tapestry isn’t the earliest piece of English embroidery in existence, it is the most famous. Most of us can identify 1066 as one of the most important dates in the nation’s history and know about the tapestry which William’s half-brother, Bishop Odo, commissioned. At the time of the conquest there were, according to Messent, ten nunneries in England (not counting any double houses) – inevitably that particular thought has resulted in a list- Nunnaminster, or St Mary’s, at Winchester; Romsey, Shaftesbury, Wimborne and Wherwell in Dorset; Wilton and Amesbury in Wiltshire; Barking in Essex; Reading St Mary’s Abbey- the lands of which were granted by William the Conqueror to Battle Abbey in 1071; Bath Abbey. Leominster was closed in 1046 after Stein Godwinson kidnapped its abbess and there were none left in the north or in Kent thanks to the Vikings. Many of them were strongly associated with the royal family and in the aftermath of the conquest many Saxon aristocratic women found sanctuary behind their walls.
However, there is no proof that it was England’s nuns who created the tapestry in their workshops or who designed the work, certainly the embroidery wasn’t completed by anyone amateur. For instance the castles were all completed the same way. Outlines were stitched first, then blocks of colour filled in being stitched from left to right, then top to bottom. It has been suggested that there may have been a conveyor belt approach with different groups of women being responsible for the different elements described. This and the fact that the eight panels of ground fabric were embroidered before they were stitched together suggests that the workshops were highly organised. (Lester-Makin, Alexandra, ‘The making of the Bayeux Tapestry: who made it, how long did it take, and how has it survived?’, BBC History Extra (October 2019)).
Oh and just for purposes of comparison – There were 10 nunneries in 1070 but there were 138 by 1270…
So on to the joys of Bayeux Stitch – and the delights of Tanya Bentham’s book by the same name. The embroidery has to be formed on a frame as the first part of the stitch is too unstable not to use one. I managed to break my frame – I don’t know how and we aren’t going to discuss it! For the time being I’m using a frame composed of four adjustable stretcher bars and rather a lot of drawing pins to secure the fabric.
Part 1 – the laid work – the thread is laid over the ground in parallel rows taking account of the curves in the design. The aim is to avoid gaps between the rows. It looks like satin stitch but unlike satin stitch the embroiderer does not take the thread across the back of the work. It makes sense – the thread would have been expensive. Hiding it at the back of the embroidery where it can’t be seen is a waste of resources. There is only a small stitch running around the end of the infill.
part 2 – Couching. A thread is laid at right angles to the laid thread and then couched into place by using a series of neat stabbing stitches, or in French – les picots. Tanya helpfully provides diagrams for what happens if the couching is too far apart. It was a rooky error and I made it. As a result I over compensated and the first infill is far too dense. I would have been told off for wasting time and resources – definitely not a candidate for an Anglo Saxon embroidery workroom. Having said that I like the texture even if it hasn’t got much in the way of a pattern going on. Really the parallel rows should be about 4mm apart and the stab stitches should be staggered so that they don’t pushed the laid work aside – which sounds very straight forward, and ends up looking a bit like a pattern of bricks. It is a straightforward stitch, but only once I’d made all the errors that Tanya warned me against. Oh yes and friction causes wool thread to wear and break if you’re not careful…I knew that so I’m not quite sure why I ended up spending a good five minutes painstakingly having to thread my needle with a truncated end so that I could weave it in. Like I said, definitely not good medieval embroiderer material.
part 3 – The outline really should be worked first in stem stitch or split stitch but Tanya advises completing the outline for the dragon last in her wonderful pictorial instructions.
However despite my various ineptitudes when it comes to couched and laid stitch, I love Tanya Betham’s book and my swirly dragon which will become more proficiently embroidered with the passage of time but I don’t think I’ll be progressing to Opus Anglicanum silk threads quite just yet even though I do want to tackle the Steeple Aston cope angel and horse!
You will note in the first image that despite having a frame I have managed to wrinkle the ground fabric by pulling the laid stitches too tight but didn’t spot it until unpicking might have caused some very poor vocabulary choices.




Messent, Jan. The Bayeux Tapestry Embroiderers’ Story. (Search Press)
Guy of Ponthieu captured Harold of Wessex he arrived from England in 1054 and his boat was wrecked off modern day Picardy– whether it was a fishing trip gone wrong or a diplomatic mission to have his brother and nephew released from the custody of Duke William or even on the orders of King Edward. Guy based the capture on the laws of Wreck. Essentially any ship wrecked mariner could find himself sold into slavery, kept imprisoned or ransomed back to his family. Guy liked, it would seem, to entertain his captives in the interval between capture and release by torturing them. The Bayeux tapestry suggests that on receiving the news of Harold’s arrival Guy rode in person to view the sailors who had the misfortune to make land fall upon his coast.
Guy is shown on the Bayeux tapestry on four occasions. Harold is shown being captured by Guy mounted on a horse as he comes ashore; then on his throne – replete with a Norman looking hair cut and stipey socks (I know they’re not called socks but just roll with it.) He’s shown for a third time when William’s men turn up demanding Harold’s release into their custody. William’s men are all taller than Guy who appears to be wearing a rather colourful tunic along with a set of yellow and green hose. The final occasion for Guy to appear on the tapestry is when he takes Harold to hand him over to William.
It’s odd how names echo through history. Prince John was made Count of Mortain in 1189 when he married Isabella of Gloucester shortly before his brother Richard went off to the Crusades. The move was designed to ensure that John towed the line whilst Richard was away.
First:
That was fine until 1072 when King William of England and Malcom of Scotland signed the Treaty of Abernathy and Edgar was forced to seek protection from King Philip I in France. He eventually returned to England where he received a pension of £1 a day. In 1097 Edgar led an invasion into Scotland and later still he went on a crusade to the Holy Land. He died in 1125. His sister Margaret, pictured right, is a saint.
Third: William, Duke of Normandy. He claimed that not only had Edward designated him to be the next king but that Harold had sworn under oath that he would support William in his claim to the throne. There was also the relationship that existed between Normandy and England. Emma of Normandy was the great aunt of William and Edward had spent most of his early life in exile in the Norman court. When William invaded he carried a Papal flag at the head of his army. The invasion was a crusade – God was on William’s side. He and his wife Matilda had even dedicated one of their daughters to the Church to ensure success.
Fourth: Harold Godwinson – It seems that Edward, to answer the question posed at the start of the post, gave the care of the English into Harold’s hands as he lay dying. Certainly this is what the Bayeux Tapestry suggests (He seems to have forgotten the pact of 1051 that Norman Chroniclers reference as the starting point to William’s claim).
Mrs Conqueror a.k.a Duchess Matilda was an organised sort of woman – which was probably just as well given her spouse. In the run up to the Norman conquest she and William handed over their daughter Cecilia to God as a nun at La Trinite in Caen. She went on to become the abbess.
There are twelve days until Christmas so I thought I’d turn my attention to a few festive posts and where better to start that with William, Duke of Normandy.