I’m still stitching my swirly dragon but have had to divert to knit several reindeer, a sleigh and Santa for the telephone box to be completed by the beginning of December – (don’t ask, it’s just best if I eventually post a picture.)
Medieval English work is principally associated with ecclesiastical embroidery but we have also looked at book covers, gloves, bags and pouches, and of course, boxes. These small personal items may have been made by professionals or in a domestic setting. I must admit to have a developing thing for 16th century sweet bags which were a development from my medieval meanderings!
I am particularly enthralled by William Huggins, Huggans or even Hogan, the Keeper of the Gardens at Hampton Court, presenting Elizabeth I with an annual New Year’s gift of sweet bags – these may have been quite small, as they could have been to contain potpurri to keep some of the less pleasant smells of court life at nose length. He began making his gifts in 1561 and continued until his death in 1588, whereupon Mrs Huggans is found listed as the annual gift giver. William also made sweet waters for Elizabeth.

The family originated in Norfolk. He can be found as a scholar with his brothers at Cambridge. He left without taking a degree and entered Lincoln’s Inn to train as a lawyer – rather than undertaking a horticultural course somewhere! In 1555 he was elected to parliament. It seems that his family’s patron was the 4th Duke of Norfolk (who was, coincidentally, married Thomas Audley’s only surviving daughter, Margaret).
Hogan had only the one job that has made its way into the history books – Keeper of Hampton Court Gardens, a place incidentally which Elizabeth I was very fond of. In 1564 he wrote to William Cecil. In May 1565 he received a grant of lands specifically to help pay his debts. He transferred them to Francis Barker, a Merchant Taylor. And then in 1588 he died…
There’s much more to be found out about William’s ‘brother’, John Appleyard, who was married to William’s sister, Elizabeth. It was on his behalf that William had written to Cecil in 1564 on the matter of a privateering venture. In 1567 the connection got William into a spot of bother when Appleyard agitated against the Earl of Leicester while he was staying with William at Hampton Court. At which point a light went on in my head! John Appleyard was one of Amy Robsart’s half brothers. And in 1567 he claimed that the jury, which found her death to have been accidental, had been bribed.
So, in one short step we’ve moved from embroidered bags and sweet water to bribery and murder, not to mention shadowy conspirators. Appleyard was interviewed, as indeed was William Huggans – who knew nothing. Appleyard admitted that he had slandered the Earl of Leicester (which was probably a very sensible decision under the circumstances). William was required to answer the following questions according to Cecil’s own notes:
How often did John Appleyard inform you of any offers made to him to provoke him to prosecute matter against my lord of Leicester? Where were you when Appleyard went over the Thames to speak with one that came to move him in such a purpose? Who came to fetch Appleyard? How many persons did you see on the other side of the Thames with Appleyard? Did Appleyard stand or walk whilst he communed with the party? &c., &c.
(‘Cecil Papers: 1567’, in Calendar of the Cecil Papers in Hatfield House: Volume 1, 1306-1571( London, 1883), British History Online https://www.british-history.ac.uk/cal-cecil-papers/vol1/pp342-352 [accessed 13 November 2024].)
I’m not sure how to discuss embroidered household textiles after that massive diversion. Bed hangings, cushions and table carpets aren’t going to have quite the same impact and I’m not sure that even I can wedge heraldic embroidery, including banners, ceremonial clothing, regalia, funeral palls, surcoats and horse accessories, into the tribulations of Amy Robsart’s extended family.
For further reading on medieval embroidery, rather than the matter of Amy Robsart ( Chris Skidmore, Death and the Virgin is an excellent read on the subject) other than Tanya Benham and Jan Messent, and the V and A catalogue of their Opus Anglicanum exhibition:
– A.G. Christie’s English Medieval Embroidery, was until recently, the book on the medieval methods of embroidery. It can be accessed on line, which is very handy indeed:
https://www.gutenberg.org/files/20386/20386-h/20386-h.htm
And if you’re feeling particularly inspired Mary Symons Anrobus and Louisa Preece’s book dating from 1928 is also worth a look:
https://archive.org/details/needleworkthroug00antr
And last but not least, a real book rather than an online facsimile , Barbara Snook’s English Embroidery, published during the 1970s by Mills and Boon.

This is episode two of my three part look at Amy Robsart’s life and death – as with any other historical death involving persons of political significance where there isn’t a clear cause there are always conspiracy theories – not that Amy was of political significance but her husband was. So, this episode looks at what history does know without making any attempt to identify the probable cause of Lady Dudley’s demise – aside of course from her being found at the bottom of a staircase…and even the size and shape stairs are a matter of conjecture as we shall discover next time.
