
The turtle dove has been in steep decline during the last century.
The Phoenix and the turtle was written in 1601 to go in an anthology entitled Love’s Martyr. All the works in the anthology have the theme of the two birds.
Essentially the phoenix is married to the turtle dove. The pair love each other so completely that they grow like one another over the duration of their relationship. But times are changing. The pair die and when they die true love dies along with them – there will be no one as virtuous or in love as them ever again. They have been married but chaste – so they leave no children. They are buried and a variety of other birds come to mourn at the funeral. It is the end of a golden age.
There are lots of different interpretations and arguments which this post has no intention of covering. Suffice it to say each bird is the subject of academic speculation. It doesn’t help that Love’s Martyr is dedicated to Sir John Salusbury – a fairly obscure personage. In which case he logically should be the phoenix and his wife Ursula the dove. In any event there wasn’t a great deal of chastity involved as they had ten children. And let’s not get into the whole who was Shakespeare thing!
The phoenix is often, but not always, seen as straight forward enough – Elizabeth I was linked to the phoenix on more than one occasion. Most famously in 1575 Elizabeth featured in two portraits by Nicholas Hilliard. In one she is holding a pelican pendant – pinched from Catholic iconography- Elizabeth is stating that she is the mother of her nation and that like the pelican which wounds itself to feeds its young so she has made a great sacrifice for her people – i.e. her unwed state. The Phoenix Portrait pictured at the start of this post is a reminder that Elizabeth is unique and that having been consumed by the flames the phoenix arises from the ashes. This could be a reference to the near disaster of her mother’s fall from favour and the dangers she faced during the reign of Mary I. It could also reference the idea that the people of England should not fear for the future because a) the phoenix lives for 500 years before going up in smoke and b) just as the phoenix regenerates so the Crown will be reborn. Unfortunately in 1601 it was clear that Elizabeth wasn’t going to last much longer and there was the small issue of who would succeed her.
Which brings us neatly to the other birds in the poem, the mourners. One of them, the “bird of the loudest lay,” could very well be James VI of Scotland whilst the crow is often interpreted as being Shakespeare himself. Essentially its important to have some understanding of bird lore before attempting the allegorical meaning behind the poem. And many scholars take the view that it really is not the point of the poem to try and decipher the bird code at all. It could simply be that Shakespeare was effectively whistling very loudly whilst writing about the intangibility of true love and trying to distance himself from the Earl of Essex’s Rebellion. He must have been very aware of the possibility he would be associated with treason given that on the 7th February 1601 his players performed Richard II (and that didn’t end well for the monarch in question). Shakespeare was paid forty shillings by some of the earl’s supporters, the Earl rose in rebellion the following day with 300 supporters and marched on London – the play was some kind of signal- but Londoners didn’t take the hint. Shakespeare must have spent some time afterwards checking that his head was still on his shoulders.
So – let us get on to the turtle dove who is after all supposed to be the centre of this post. In Tudor times the turtle dove represented fidelity. If Elizabeth is the phoenix who then is the dove? Robert Devereux the 2nd earl of Essex remains a popular choice. The idea gained popularity in the 1960s with the analysis of William Matchett. Although, quite frankly, how rushing off to fight the Spanish in 1586 without permission, getting married without Elizabeth’s approval, referencing the queen’s “crooked carcass,” arriving back from Ireland uninvited, unannounced and bursting into the royal bedchamber before finally revolting and getting oneself beheaded could be described as fidelity is another matter entirely. One view is that the phoenix and the turtle dove have burned out their love for one another. It is then argued that Shakespeare was not writing a straight forward poem at all. He was doing something very dangerous – he was writing a pro Essex poem which basically turns the earl into a hero in the aftermath of his failed rising and subsequent execution on 26th February 1601.
And yes – there are many more theories about who the turtle dove might be but I think it’s time to move away from the topic as I could go around ever decreasing circles for some considerable time.
Incidentally Salusbury was knighted for his part in the suppression of Essex’s rebellion whilst his brother got himself executed in 1586 for supporting Mary Queen of Scots.
Bednarz, J. Shakespeare and the Truth of Love: The Mystery of ‘The Phoenix and Turtle’
Lettice Knollys was the daughter of Catherine Carey – meaning that she was probably the granddaughter of Henry VIII as her grandmother was Mary Boleyn. She was born on the 8th November 1543. She married three times; first to Sir Walter Devereux who became the First Earl of Essex; second to Robert Dudley Earl of Leicester and thirdly to Sir Christopher Blount.
Robert Devereux was the son of the Queen Elizabeth’s favourite – the dashing one that managed to get himself executed for treason in 1601. Grandpapa on his mother’s side was Sir Francis Walsingham, Elizabeth’s spymaster. Obviously having been attainted for treason the entire Devereux family, including young Robert who was ten at the time of his father’s misdeeds, were tainted as being of bad blood and all property returned to the Crown.
the grand tour. Whilst he was securing a gentleman’s education Frances Howard took up with the king’s favourite Robert Carr and married him instead having divorced Robert for impotency in 1613 (and I should imagine that no 20 year-old wants that particular label)- France’s marriage would end in murder, a visit to the Tower and a Jacobean scandal that historians are still writing about but that’s beside the point. The marriage ended amidst much hilarity and popular balladry. Robert insisted that even if he was impotent so far as Frances was concerned he was more than capable with other ladies of his acquaintance. To add insult to injury, Frances who had been carrying on with Robert Carr, was declared to be a maiden – the mirth this enjoindered can only be imagined.
There are three earls of Essex during the Tudor/Stuart period – the title was not used after the third earl’s death in 1646 until the Restoration. The First Earl of Essex was Walter Devereux – he is associated with Tudor rule in Ireland and is more famously Lettice Knollys’ husband. Lettice was the daughter of Catherine Carey – making her the grand-daughter of Mary Boleyn. Historians speculate whether Catherine was the daughter of Henry VIII – Lettice certainly looked rather a lot like her cousin Queen Elizabeth I. In fact Lettice managed to get into rather a lot of trouble with her cousin after the first earl of Essex’s death when she secretly married Elizabeth’s long time squeeze, Robert Dudley, Earl of Leicester.
Lichfield Cathedral was besieged not once, not twice but thrice during the English Civil War.
the stained glass, defacing the sculpture and destroying much Lichfield Cathedral’s library. Together with the destruction of the third siege in 1646 the only text that remains of the original cathedral library is one volume of the eighth century Lichfield Gospels which was either found or given into the care of Frances, Duchess of Somerset who owned property in the area (her father was Robert Devereux, Earl of Essex and former favourite of Elizabeth I executed for treason in 1601. Her mother was Frances Walsingham daughter of Francis Walsingham.) She returned the gospels along with a further thousand books from her husband’s collection. Today the gospels are on display in the Chapter House together with the Lichfield Angel, a wonderful piece of eighth century carving.